July 9, 2012

Mailbox Monday


It feels as though it's been ages since I've participated in the Monday Mailbox meme. Looking back through my archives, I discover it's been well over two years! I certainly could've posted at least once a month, as I continue to get unsolicited ARCs, as well as those I snag at work. I'm in desperate need of another bookcase...

These books didn't all arrive this past week, but I'm fairly certain they weren't all here a month ago! At the rate I'm going (reading a measly four or five books a month), I'll never make a dent in the stacks in my office/guest room.



The Age of Miracles by Karen Thompson Walker

Salvation of a Saint by Keigo Higashino

Jasmine Nights by Julia Gregson

The Prophet by Michael Koryta

Midwinter Blood by Mons Kallentoft

Trust Your Eyes by Linwood Barclay

The Light Between Oceans by M. L. Stedman

The Roots of the Olive Tree by Courtney Miller Santo

The Orchardist by Amanda Coplin

Live by Night by Dennis Lehane

and the most highly anticipated book in the stack...

Love Anthony by Lisa Genova!!!!

Any recommendations as to which I should start after I finish Love Anthony? I've read mixed reviews for both The Age of Miracles and Jasmine Nights, so I'll keep them in my stack for the time being. I plan to read Higashino's new mystery for Bellezza's Japanese Literature Challenge, despite the fact that I was not terribly impressed with The Devotion of Suspect X.

Mailbox Monday is the place for bloggers to share the books that arrived in their homes last week. For more Mailbox Monday posts, visit Jennifer of Mrs. Q: Book Addict.

Click on the titles for more information.

July 6, 2012

The Particular Sadness of Lemon Cake


Fiction
2010 Books on Tape
Reader: Author
Finished 6/14/12
Rating: 2/5 (Fair)




Publisher’s Blurb:


The wondrous Aimee Bender conjures the lush and moving story of a girl whose magical gift is really a devastating curse.

On the eve of her ninth birthday, unassuming Rose Edelstein, a girl at the periphery of schoolyard games and her distracted parents' attention, bites into her mother's homemade lemon-chocolate cake and discovers she has a magical gift: she can taste her mother's emotions in the cake. She discovers this gift to her horror, for her mother--her cheerful, good-with-crafts, can-do mother--tastes of despair and desperation. Suddenly, and for the rest of her life, food becomes a peril and a threat to Rose.

The curse her gift has bestowed is the secret knowledge all families keep hidden--her mother's life outside the home, her father's detachment, her brother's clash with the world. Yet as Rose grows up she learns to harness her gift and becomes aware that there are secrets even her taste buds cannot discern.

The Particular Sadness of Lemon Cake is a luminous tale about the enormous difficulty of loving someone fully when you know too much about them. It is heartbreaking and funny, wise and sad, and confirms Aimee Bender's place as "a writer who makes you grateful for the very existence of language" (San Francisco Chronicle).

Meh.

A couple of my co-workers read this coming-of-age novel when it first came out, so I decided to give it a try when I saw that the audio version was available through my library. I doubt I would have invested the two weeks I spent listening, had I tried the printed version instead. I have no objections to magical realism: I loved Bless Me, Ultima (Rudolfo Anaya); Chocolate (Joanne Harris); Like Water for Chocolate (Laura Esquival); and Garden Spells (Sarah Addison Allen). However, this novel was just plain weird! To explain why would reveal too many spoilers. Suffice it to say that the Edelstein family is one of the strangest and most dysfunctional families I’ve ever encountered in my reading. I never came to care about any of them or any of the supporting characters in the novel.

…oddly beautiful (Washington Post)

…gorgeously strange (People Magazine)

…bizarre sensitivity (The Atlantic)

…wonderfully strange (The Courier-Journal)

Taking her very personal brand of pessimistic magical realism to new heights (or depths), Bender's second novel....careens splendidly through an obstacle course of pathological, fantastical neuroses.....[Bender] emerges as more a spelunker of the human soul....plumbs an emotionally crippled family with power and authenticity....brimming with a zesty, beguiling talent. (Publishers Weekly)


Final Thoughts: Yep. This is one odd, strange, and bizarre work of magical realism. And for me, sadly, a major disappointment

July 4, 2012

Wordless Wednesday


For more Wordless Wednesday photos, 
click here.


July 3, 2012

Paris in July 2012




Overly ambitious? Moi?

I missed this fun challenge last year (oops, I just discovered this is the third year!), but I have high hopes to read several of these books in the coming weeks. The bottom three are art books, which I've owned for many years. I'll just peruse those. I've tried a few recipes in the Julia and Jacques cookbook and have others marked to sample. Oh, and I may watch Amelie, Julie and Julia and French Kiss. I love these films and never grow tired of watching  them.

Thank you, Karen and Tamara for hosting such an exciting challenge!


Here are the official "rules":

There will be no rules or targets in terms of how much you need to do or complete in order to be a part of Paris in July - just blog about anything French and you can join in.

Some ideas for the month might include:

Reading a French book - fiction or non-fiction -

Watching a French movie -

Listening to French music -

Cooking French food -

Experiencing French art, architecture or travel (or remembering travel experiences) -

Or anything else French inspired you can think of...
Click on the photo for a larger view.

July 2, 2012

Little Princes




Nonfiction/Current Affairs
2011 Harper Audio
Audio: Read by Conor Grennan
Finished 6/13/12
Rating: 5/5 (Excellent!)









Publisher’s Blurb:

An astonishing testament to true courage, the transformative power of love, and the ability of one man to make a real difference.

In search of adventure, twenty-nine-year-old Conor Grennan embarked on a yearlong journey around the globe, beginning with a three-month stint volunteering at an orphanage in civil war-torn Nepal. But a shocking truth would forever change his life: these rambunctious, resilient children were not orphans at all but had been taken from their families by child traffickers who falsely promised to keep them safe from war before abandoning them in the teeming chaos of Kathmandu. For Conor, what started as a footloose ramble became a dangerous, dedicated mission to unite youngsters he had grown to love with the parents they had been stolen from—a breathtaking adventure, as Conor risked everything in the treacherous Nepalese mountains to bring the children home.

About the Author:

After volunteering at the Little Princes Children’s Home in the village of Godawari in 2004, Conor Grennan eventually returned to Nepal to launch Next Generation Nepal (NGN), a nonprofit organization dedicated to reconnecting trafficked children with their families. He resides in Connecticut with his wife and two children.


After a disappointing experience with Greg Mortenson’s Three Cups of Tea, I had no interest in reading about another supposedly selfless endeavor. But when I read Joy and Nancy’s glowing reviews, I couldn’t resist. Joy gave it a personal rating of 5/5 (absolutely outstanding) and said:

I felt so many emotions while listening to this book. The joy in "Conor-Brother's" success was the most inspiring, but the way in which Conor shares his story was delightful. He had a sense of humor that made me giggle often, and yet, he also had a very serious side that made me choke up with sadness when he described some of his experiences with the children and locals.

The audiobook version was absolutely awesome! I loved the accents and cadence of the reader, which just so happened to be the author himself. Well done. (Joy, of Thoughts of Joy)

And Nancy wrote:

I cannot say enough good things about Little Princes. The author's writing offers readers a rare combination of humility, charm, self-effacing humor and sincerity. His story is deeply moving and yet his writing style is absolutely lovely and light. You can't help but wish you knew him. In addition to being an adventure with the occasional dangerous hike or encounter with the wrong people and a story of the stunning difference one man can make, Little Princes is has a touch of romance as Grennan met a fellow volunteer and fell in love.

Geez, talk about a sap. I have tears in my eyes just thinking about this book! Little Princes is the best kind of memoir. I laughed; I cried. Highly recommended. Buying the book can even make you feel a little valiant because a portion of the proceeds will go to Conor Grennan's non-profit organization, Next Generation Nepal. (Nancy, of Bookfoolery and Babble)

Both Joy and Nancy (and several other bloggers whose reviews I’ve since come across) are spot on about this memoir. It’s one of the most honest and heartwarming books I’ve read in a long, long while. Although it’s been a couple of weeks since I finished, I can’t stop thinking about “Conor Brother” and Farid, Nishal, Krish, Anish, Hriteek, Rohan, Raju, Priya, Nuraj, Santosh, Dirgha, Navin, Amita and Leena.

Child trafficking is a very serious subject, and yet Grennan manages to imbue his memoir with hilarious anecdotes that had me laughing until I cried. I’m so glad I listened to the audio version of this book, so I could hear the author’s intonations and wonderful accents, as well as the pronunciation of the names of the children and locations. But listening to the audio once wasn't enough. This book touched me so deeply that I was compelled to buy a copy so I can have it to re-read sometime in the future. It was wonderful to be able to look at all the photographs, which, quite honestly, brought tears to my eyes. Conor’s narrative is so descriptive and heartfelt that I felt like I knew exactly who and what I was gazing at. The printed version also includes an update on the children of Little Princes, as well as a two-page map of Nepal.

I picked up my new copy of Little Princes (with its beautiful cover) and the book fell open to this passage:

“Jagrit, listen—I brought you back something better than an apple,” I told him.

He turned back toward me. “What did you bring me?” He was genuinely curious.

“Come inside. I’ll show you.”

There was no easy way to tell a boy who has grown up believing his entire family was dead that I had, just ten days earlier, met his father. There was no easy way to tell him that I had a photo of his father holding his own death certificate, that I had a letter from him for Jagrit. There was no easy way to tell him he had a mother and a brother and sister, that they were all still alive and had never forgotten about him. That they had spent the last nine years wondering where he was, if he was even still alive. So I just opened up a long series of photos. I showed him photos of the postman who first told me of their existence, photos of the long trek to Jaira. And then I showed him a photo of his father, the shepherd. The man in the picture was holding a photo of Jagrit that I had given him. From beginning to end, I told him the entire story of how his family had come back to life.

Jagrit had never cried in front of me before. At fourteen years old, I imagined he considered himself too old for it. But now he could not stop. He stared at his father’s face. Jagrit, choking with emotion, asked if his father had told me why he had given him up, why his mother had not fought to keep him. That began a long discussion of the children lost in Kathmandu, of how traffickers tricked parents into giving up their children. I told him the story as I knew it, and added everything that I had learned in Humla.

I pulled out my notebook, where I had taken detailed notes of my interaction not just with his father but with all the parents. The notebook was filled with the stories of shock, guilt, pain, and desperation. It was filled with mothers recounting the fear of living under rebel authority, of young teenagers with automatic weapons, of the moment they had learned their neighbor’s child had been abducted and forced into the rebel army. The decision taken nine years ago to send Jagrit away was made under circumstances that he would never fully comprehend. I hesitated a moment, then handed the notebook to Jagrit.

“Everything is in there. Anything you want to know.”

He took the notebook and opened it slowly, flipping through the pages but not reading them. Even for a boy as bright as Jagrit, it would take concentration to read in English. He didn’t seem to have the strength. He held it up.

“My father in here, sir? He asked. “You can show me the page?”

I took it back from him and turned the worn, smudged pages until I found the heading that read Jaira, Jagrit’s village. I read him a paragraph that I jotted down quickly during the interview, while Rinjin was asking the father the first questions about his son…

For an hour, Jagrit and I talked and went through the photos, starting with his father, then going through the whole trip so he could see more of his village and Humla. He never let go of the letter from his father.

“You can make me a copy of the photo from my father, sir?” For me to keep?” His voice was tight. He was choked up.

“Of course. I’ll bring it over tomorrow.”

“Thank you.” He looked down at the letter, not reading it, but just staring at it, as if it was some artifact that he didn’t quite believe he owned. Then he said, “Maybe I sit alone for a while, sir.”

For as long as I had known him, Jagrit had never wanted to be alone. But I would have wanted the exact same thing in that situation. I stood up.

“You’re not the only one, Brother” I told him before I left. “There are many children like you in Nepal. The only difference between you and them is that they still think they are alone in the world.”

I touched his head and walked out, gently closing the door behind me, leaving behind the sobs that grew fainter as I walked downstairs and out of the house.

And then I remembered this touching scene as Conor says goodbye to the children after spending three months at Little Princes:

“When you come back, Conor Brother?” asked Anish, a question that seemed to vacuum all other sound out of the room. They wanted to hear my reply.

I was expecting that. We had been strongly advised by the CERV staff to be vague and conservative in our answers to this inevitable question. Few volunteers ever returned to Nepal; it was too far away and required too much time. Volunteering in an orphanage was a one-off, an experience that you would never forget and never repeat. The staff at CERV had learned it was better not to give the children false hope that volunteers would return as it tended to deteriorate the trust given by the children to the next group of volunteers. The children were looked after by a constantly rotating set of parents, and they were becoming accustomed to it. The system was terribly flawed, but there were few alternatives.

“I’m not sure, Anish, but I’ll definitely try to get back!” I said, upbeat. This provoked no response from the boys.

“When, Brother?” Anish asked after an awkward silence.

“Well, definitely not for at least a year,” I told him. “Remember I told you guys that I’m going on that big trip? I showed you on the globe?”

“So after that, maybe, Brother?”

“Maybe!” I said. They had heard this before. Some of the boys looked away, others lay down in their beds. Anish alone remained sitting on the edge of his bed. He asked the question again in a different way, then again. He asked more specifically what I planned to do at the end of the year, and whether I needed to return home, and whether I liked Godawari. I finally cut him off. “I’m not really sure, Anish. But I’ll see you in the morning okay, boys?”

"Okay, Brother,” came the chorus. Anish lay down. I switched off the light.

In my room, I pulled my backpack out from under my bed, and took a pile of T-shirts off a shelf, laying them flat in my bag. And I broke down. The emotion caught me off guard. I hadn’t cried in years, and I was really sobbing. I was happy in Godawari. But there’s nothing here, I told myself through jerking breaths. You eat rice every day. You never go out. You never meet any women. You have not seen a movie or TV in months. You have to take care of eighteen children. You are constantly dirty and always cold.

I imagined my mom at the airport, saying good-bye to me each time I returned to Prague after spending Christmas in America. She would cry into my shoulder, sobbing like I was right now. I had always wondered where that sadness came from; leaving had never seemed like a big deal to me. And now here it was, that same desperate sadness, filling this very room.

If walking into the responsibility of caring for eighteen children was difficult, walking out on that responsibility was almost impossible. The children had become a constant presence, little spinning tops that splattered joy on everyone they bumped into. I would miss that, of course. But the deeper sadness, the deluge of emotion, came from admitting that I was walking out on them. The children, as always, will be fine, Sandra had said. She could have said the same thing to my mom at the airport. I knew she was right. But I could not leave this house unsure whether or not I would ever return. I just wasn’t going to do it. Despite myself, I had become a parent to these kids—not because I was qualified, but because I had shown up.

I went back into the big boys’ room. They were talking quietly in the dark.

“Conor Brother!” I recognized Anish’s hoarse whisper. Dark shapes popped up in bed and whispered my name.

“Boys—I’ll come back in one year, okay?” I whispered.

“Okay, Brother!”

“Good night, boys.”

“Good night, Conor Brother!”

I left Little Princes with a traditional Nepali leaving ceremony. Farid had come back from the hospital for a few hours to see me off with the other volunteers. The children, one by one, placed a red tikka on my forehead, gave me flowers, and bade me a safe journey. As each of the eighteen children approached, each asked if it was true that I was coming back next year. I confirmed it again and again. Some of the volunteers looked skeptical. Farid only smiled.

I meant it. I would be back for them.

There are dozen more passages that I’d like to quote, but they’re far too lengthy for one blog post, not to mention that I’m sure you’d like to read them for yourselves, in the context of the book.

Final Thoughts: This is one of the best books I’ve read in years. It will definitely hit my Top Ten for 2012 and is one I want to thrust into everyone’s hands and say, “Read this!!” Little Princes is a perfect choice for book clubs; it’s thought-provoking, inspirational and at times, hilarious. I wish I could meet those children (who are now almost eight years older!) and Conor Brother, who is truly a hero.

If you’d like more information about Next Generation Nepal (NGN), go here. Click here to view Conor’s website, which includes a reading guide and videos clips, as well as his personal blog.


June 26, 2012

Wordless Wednesday



Today's Forecast: 

104 degrees

Chance of rain: 0%

Wind: SSW at 22 mph

Humidity: 45%

UV Index: 9 - Very High

Snow: 0 in 

Oh, well. One can dream.



June 23, 2012

Take Good Care of the Garden and the Dogs


Nonfiction – Memoir
2010 Algonquin Books of Chapel Hill
Finished on 6/9/12
Rating: 4/5 (Very Good)



Publisher’s Blurb:

After a near-fatal bicycle accident in her tiny Alaskan town, bestselling author Heather Lende has an opportunity to contemplate faith and friendship, observe the breathtaking beauty of the northern wilderness anew, and truly come to appreciate the remarkable inhabitants of Haines, Alaska, without whom she could never have recovered. Lende’s idea of spirituality is rooted in community, and her irrepressible spirit and commitment to living life on the edge of the world deeps our understanding of what links us all. Like her own mother’s last instructions, “Take good care of the garden and the dogs,” Lende’s writing, so honest and unadorned, offers profound lessons to live by. Here she reminds us (courtesy of Ralph Waldo Emerson) that “the proper response to the world is applause.”

“Lende has a knack for subtly illuminating the remarkable in the commonplace, the transcendence in tragedy… Her voice, which alternates between folksy and formal, playful and prayerful, entertaining and elegiac, is reminiscent of Garrison Keillor, Krista Tippett, Tom Bodett, Kathleen Norris, and Anne Lamott.” ~ Minneapolis Star Tribune

Heather Lende has contributed to NPR’s Morning Edition, the New York Times, the Christian Science Monitor, and the Washington Post, as well as National Geographic Traveler and Country Living magazines. She is a columnist for Woman’s Day magazine and also writes an online column for the Alaska Dispatch.


I am embarrassed to admit that I’ve had Take Good Care of the Garden and the Dogs for almost exactly one year. That’s not unusual for this bookseller/blogger. (I have hundreds of unread books, many of which I’ve owned for over a decade!) What’s embarrassing is that I accepted Heather Lende’s memoir for review. I received a query email from her publicist on April 29th, 2011. I promptly responded and the book arrived shortly thereafter. On June 20th, 2011, I received a follow-up email, which I planned to answer, but somehow neglected. Looking back at my Google Calendar, I see that we were in Colorado in late May/early June, followed by a trip to California for a 60th birthday celebration and a trip to Oregon shortly thereafter. Of course, that’s no excuse, but it was a busy start to summer. And I did plan to read the book—just not as promptly as I’d hoped. I’m not sure what prompted me to finally pull it from my shelf last month, but it was just the ticket after reading a few intense thrillers. As you can see, I found a lot to note:




On the Arrival of Spring:

The first day of spring was not March 20, and it wasn’t one day but a handful of early April days so bright that the residents of this little seaside Alaskan town crawled blinking out of our snow caves and welcomed it like sleepy bears. Spring fever hit so hard that everyone was smiling and doing their best to push winter out the door. Blankets and pillows were aired, decks were shoveled, and icy walks were chipped off...

As I walked to town, I realized that spring truly was here because no one asked if I wanted a ride. Even casual drivers-by could see it was a fine day for a walk. One pickup truck passed me, slowed down, and then parked at the bottom of Cemetery Hill, where my neighbors hopped out and took a stroll down Mud Bay Road, smiling at the views of the Chilkat Inlet, Pyramid Island, and the snowy mountains that look the way the Alps would, if Switzerland had a beach.

On Writing:

I write a weekly Thursday column for the Anchorage Daily News, in the Family & Life section. I write about anything I want to: Haines, my family, community goings-on. I try to make each piece local, as I figure I’m the only one sharing the news about this town with the world, but also personal and universal—that way you don’t have to live nearby to be interested. I spend more time on them than they are worth, but from the beginning I have felt an obligation to say something valuable. I looked to the Book of Common Prayer for guidance and found the prayer “For those who Influence Public Opinion.” (It’s an Episcopalian thing, these carefully scripted prayers for every possible need.) It says that those of us who write what “many read” (a writer can hope this is true) need to do our part “In making the heart of this people wise, its mind sound, and its will righteous.” It sounds corny, and I know I miss the ball more than I hit it out of the park, but at least I’m swinging for the fences. I still say that prayer before I begin every column. Blessing words, like blessing boats, can’t hurt. It may even help.

On Surrendering to the Moment:

The Vietnamese Buddhist monk Thich Nhat Hanh tells a story about a man stranded on a mountain (he can’t go up or down) and of another man at an intersection (he is so confused he doesn’t know which way to turn). Both are equally stuck, and the worst choice either man can make is trying to think and plan his way out of it. The only way out of a bad situation for them—and, by extension, for all of us—advises the good monk, is to “surrender to the moment” and not even pretend to know the way out. As Bob Dylan sings, “Don’t think twice, it’s all right.”

On Cycling:

I might not like planes, but I love my bicycle. It is a Trek road bike made of carbon fiber and light enough to lift with two fingers. It is nicer than my old Subaru. Riding my bicycle fast may be as close as I’ll come to finding that peace they promise in church, the one that passes all understanding. When I’m riding twenty miles an hour, with a tailwind, drafting behind another rider, I think it must be what nirvana feels like. And, it’s good for me.

On Devotion and Home:

It was after midnight when we said goodbye to Linnus, and I kissed everyone goodnight. Chip tucked me in, and my little dog Phoebe jumped up next to me. The two big dogs thumped their tails at a respectful distance. Chip opened the windows to let the beach air in. The kids had put the screens in for me; they knew I liked the sounds and scents of the beach. In the late spring twilight we call night in Alaska, we listened to the sea lions exhaling, the gulls calling, and the waves meeting the shore. Robert Frost was wrong; there is a greater devotion than the shore to the ocean. It is a husband who will help you with a bedpan and the wiping up, and then say you are beautiful when you look as bad as you ever have in your life. The deep line Chip had been holding in his forehead since the accident softened. There was a lot I wanted to say to him, but all I could manage was “goodnight.” He whistled softly as he made up his bed on the window seat at the other end of our living room, where he’d stay until I got better, so I could call him in the night if I needed to go to the bathroom or to take another pain pill.

“It’s really good to be home,” he said to the house we had built together, to the beams in the ceiling, to the old Turkish rug from his grandmother’s house, to the dogs, to the too many books, to the piano my mother gave us, to our children sleeping upstairs, and beyond the green metal roof and graying shingles to the garden, to the cherry trees and beach roses, to the inlet and Pyramid Island, and to the mountains rising across the way. The grouse in the brush and the bears in the forest and the salmon in the sea, to all of it, he said, “It really is good to be home.”

Lende packs so much local and spiritual information into this gem of a book (including Ten Things to Think about if You Are Hit by a Truck). I could share more about her accident and recovery, or about the traditions and culture of the Tlingit people, the raising of a totem pole, the Blessing of the Fleet, and the beauty of a sung and chanted version of Compline, but then, why spoil your enjoyment, should you choose to read this memoir? And I urge you to do so. It’s quite lovely and one I know I’ll read again.

Final Thoughts: I was raised in the Episcopal church and while it’s been many years since I attended a service, Lende’s spirituality felt familiar and full of nostalgic comfort. And, of course, her bicycle accident has made me even more thankful for all the wonderful bike trails in my community. Not only is Take Good Care of the Garden and the Dogs a keeper, but it’s a book I plan on sharing with several friends and relatives. Now to make time to read If You Lived Here, I’d Know Your Name. And Lende's blog!





“This book is a wonder. It opens a door to Alaskan living, a world that, for most, will be both surprising and beautiful. As a person of Alaska and a person of faith, it is one of the best books of theology and spirituality that I have read in a long time. But the non-religious or the non-Alaskan shouldn’t be hesitant. They will also be glad to walk through this door to a world that is certainly and recognizably theirs, but will seem to hold much more—maybe things new or maybe things forgotten.” ~ The Rt. Rev. Mark MacDonald, formerly the Bishop of Alaska, now the National Indigenous Anglican Bishop of Canada

June 18, 2012

Life is Good - May




It's important to recognize and remember the good things in life, so I've decided to make a point of jotting down my monthly blessings.
So what made me smile (or laugh) last month?
  • Strawberry ice cream before dinner.
  • A hummingbird feeding at one of my potted plants on my deck!
  • Buying my husband a new bike for his birthday.
  • A 60th birthday celebration with friends from California.
  • A 50-mile ride in the countryside (spotted 2 deer, a wild turkey, orioles, cardinals, red-winged blackbirds, goldfinches and a heron).
  • A new bike jersey.
  • A delicious (and simple) new recipe for bolognese.
  • Two excellent nonfiction reads (Little Princes and Take Good Care of the Garden and the Dogs). Reviews forthcoming.
  • Godiva Chocolate.
  • Movie night with a good friend (The Best Exotic Marigold Hotel).
  • A monthly total of 154 miles ridden on my bike.



June 17, 2012

Father's Day

Any man can be a father.

 It takes someone special to be a dad.

~ Unknown










Happy Father's Day to the three most important men in my life.

June 13, 2012

Wordless Wednesday


Hydrangea


Chuckles Rose


Beebalm


Coreopsis


Oakleaf Hydrangea

June 10, 2012

The Art of Fielding



Fiction
2011 Hachette Audio
Reader: Holter Graham
Finished 5/27/12
Rating: 3.5/5 (Good)




Publisher’s Blurb:

At Westish College, a small school on the shore of Lake Michigan, baseball star Henry Skrimshander seems destined for big league stardom. But when a routine throw goes disastrously off course, the fates of five people are upended.

Henry's fight against self-doubt threatens to ruin his future. College president Guert Affenlight, a longtime bachelor, has fallen unexpectedly and helplessly in love. Owen Dunne, Henry's gay roommate and teammate, becomes caught up in a dangerous affair. Mike Schwartz, the Harpooners' team captain and Henry's best friend, realizes he has guided Henry's career at the expense of his own. And Pella Affenlight, Guert's daughter, returns to Westish after escaping an ill-fated marriage, determined to start a new life.

As the season counts down to its climactic final game, these five are forced to confront their deepest hopes, anxieties, and secrets. In the process they forge new bonds, and help one another find their true paths. Written with boundless intelligence and filled with the tenderness of youth, The Art of Fielding is an expansive, warmhearted novel about ambition and its limits, about family and friendship and love, and about commitment--to oneself and to others.


I love baseball. I grew up on the L.A. Dodgers (Dusty Baker, Ron Cey, Steve Garvey, Davey Lopes, Don Sutton, Steve Yeager, and Reggie Smith) and the San Diego Padres (Steve Garvey, Garry Templeton, Goose Gossage, Tim Flannery, Kurt Bevacqua, Carmelo Martinez, and Tony Gwynn). When we moved from Lincoln, Nebraska to Fort Worth, Texas, we were thrilled to be near a major league park. It was the summer of '98 and when we weren't watching our beloved Rangers at The Ballpark (in Arlington) or on TV, we were watching the the battle between Mark McGuire & Sammy Sosa. It was a thrilling season and we couldn't get enough.

When we moved back to Lincoln, I had to accept that fact that baseball wasn't going to be as prevalent in my life as it once had been. Sure there's the College World Series (in Omaha) and the Saltdogs (in Lincoln), and K.C. isn't all that far to go to take in a Royal's game, but it just wasn't the same. So the baseball books piled up. I loved Doris Kearns Goodwin's memoir, Wait Till Next Year and added Mike Lupica's Summer of '98 to my stack, along with David Halberstam's October 1964 and Roger Kahn's Memories of Summer. After reading a glowing review for Harbach’s debut novel, I couldn’t wait to get my hands on a copy. I wound up listening to the audio and while I enjoyed the book, I can’t say that I loved it. A few of the situations (a sophomore in complete charge of recruiting a shortstop?!) were implausible and the ridiculous finale caused me to shake my head in disbelief. Several characters disappeared without a trace and some that that didn’t were nothing but cardboard cutouts. The first half of the book held my interest and enthusiasm, but the remainder of the novel was disappointing and I only finished out of curiosity.

Everyone deserves a second chance and Harbach’s prose, which at times was quite lyrical, has convinced me to refrain from complete dismissal of this author’s future works.

Final Thoughts: Fans of John Irving and Jeffrey Eugenides (The Marriage Plot) won’t be disappointed.

June 1, 2012

A Natural Woman



Memoir – Music
2012 Sound Library Audio
14 hours, 13 minutes
Reader: Carole King
Finished 5/8/12
Rating: 3/5 (So-so)




Publisher’s Blurb:

Carole King takes us from her early beginnings in Brooklyn, to her remarkable success as one of the world's most acclaimed songwriting and performing talents of all time. A Natural Woman chronicles King's extraordinary life, drawing readers into her musical world, including her phenomenally successful #1 album Tapestry, and into her journey as a performer, mother, wife and present-day activist. Deeply personal, King's long-awaited memoir offers readers a front-row seat to the woman behind the legend.

The book will include dozens of photos from King's childhood, her own family, and behind-the-scenes images from her performances.

I was 10 years old when I first heard Carole King’s album Tapestry. It was 1972 and my parents were rather cool, filling our house with the music of Bob Dylan, Jim Croce, Cat Stevens, Carly Simon, and Simon & Garfunkel. I immediately fell in love with King’s album, lyrics memorized, singing along whenever my mom played her album. When I was in my late twenties, I bought Rhymes & Reasons (recorded in 1972) on cassette (long gone now) and loved it almost as much as Tapestry. Love Makes the World (2001) is currently the only album of hers that I own on cd.

I’m a big fan of memoirs, but very rarely (if ever) read any autobiographies written by musicians or actors. However, when A Natural Woman was released, I was curious and decided to give it a try. I found the audio version online at my library and spent a couple of weeks listening to Carole’s personal story, which includes quite a bit of the cultural history.

I wish I could say that I loved this book as much as I love Carole King’s music. Unfortunately, the audio version was a bit tiresome. Carole may have a lovely voice for singing, but I grew weary listening to her not only speak, but sing portions of some of her songs a cappella. There were several occasions in which her voice sounded raspy and hoarse. However, I don’t know if I would have stuck with the written version of this memoir. I didn’t recognize a lot of the people she referred to in the first half of the book and I longed for more depth about her song-writing and her children. She seems to hold her readers at arm’s length, glossing over a lot of the more personal aspects of her life.

But wait! My wonderful (and much, much older) husband read the book as well, and agreed to write a guest post for my blog. So, without any further ado, here are Rod’s thoughts on A Natural Woman:

Every life has a soundtrack, and for many of us ‘boomers, that track included bands such as The Beatles, The Beach Boys, The Rolling Stones, The Byrds, The Kinks, The Who, The Doors, and others. It also included singer-songwriters such as James Taylor, Janis Ian, Joni Mitchell, and Kris Kristofferson. And while the turbulent 60s and 70s swirled furiously around us, we listened—first on LPs, then on 8-track and cassette tapes—to the music that helped define us even as we helped define it. It was an ugly time, and a beautiful one—filled with contradictions, filled with anger, filled with hope.

But above all, it was filled with music, and Carole King, even before most of us knew her name, helped create that music. King’s string of hits started with 1961’s “Will You Still Love Me Tomorrow,” and continued with pop-rock ditties and ballads that many don’t even realize she wrote: “The Loco-Motion” (featuring the lead vocals of “Little Eva” Boyd, King’s babysitter), “Up on the Roof,” “Take Good Care of My Baby,” “Natural Woman” (written specifically for Aretha Franklin), “Pleasant Valley Sunday” (yes, King wrote songs for The Monkees), and dozens—perhaps hundreds—more.

Beginning as a teenager in New York’s famed Brill Building (home of Don Kirschner’s Aldon Publishing), Carole King is a linear descendent of and a direct link to those writers and demo singers who populated Tin Pan Alley in the 1920s, 30s, and beyond—and she brought to her craft the same devotion, talent, and drive that made Tin Pan Alley famous.

King’s book, A Natural Woman, chronicles her life and, almost unavoidably, the lives and times of other musicians and artists of the era: David Crosby, James Taylor, Neil Sedaka (whose first #1 hit, “Oh Carol!” was written for and about King), Brian Wilson, Bob Dylan, Don Henley, J.D. Souther, and many others. For someone brought up on the music of the late 50s, early 60s, and beyond, the book is a warm, loving, and sometimes illuminating paean to an era.

A Natural Woman is flawed in the way of most autobiographies: In trying to paint a candid portrait, King sometimes goes out of her way to accept blame and to admit her failings. In other instances, though, she’s simply too sensitive—and too close to the subject—to be brutally honest. For instance, King’s relationships with her children are complicated and sometimes contentious, and yet she chooses to gloss over much of that. Certainly she was a loving and kind mother, but one gets the impression that for many years she was simply too busy and too self-absorbed to be a very good parent. Late in life, she has seemingly made peace with that—and with them—and tried mightily to make up for any earlier emotional distance that might have existed amongst all of them.

In King’s life, relationships (many of them with much younger men) come and go with astonishing rapidity. When they fail—as all of them eventually do—it’s never King’s fault. In fact, it’s no one’s fault; it’s as if they existed on some plane beyond her ken, to come and go at the whims of distant gods over whom she has no control. Marriages and relationships simply happen. And then they simply cease. No one is to blame. They just, seemingly inevitably, fade away. (Occasionally they become song fodder, providing material for her writing, so at least there’s that.)

But these are, in the larger and longer view, minor criticisms that could be said of many (or even most) of us. The fact remains that King is a supremely talented songwriter and performer who has contributed much to the musical tapestry (did you see what I did there?) of our lives, and who has also put her talents and her celebrity to good use promoting worthwhile causes and political efforts.

And she is in addition a good writer. King may have had help (certainly her editors provided guidance), but there is no co-writer listed for A Natural Woman. That’s not surprising: The book is well-written, an easy read, and solidly structured. As Carole King has been showing us for 50 years, she knows how to structure a tale, provide a hook, and tell a great story. This time she’s done it using not the piano, guitar, or voice—her usual instruments—but with a word processor.

So, there you have it. If you’ve read the book, I’d love to hear your thoughts. I’d also be interested to know if you have a favorite Carole King song. I’m not sure if I could choose just one, but I do love So Far Away. And Been to Canaan. And You’ve Got a Friend. See? I can't do it!







About the Author

Carole King had her first No. 1 hit in 1961, at age 18, with "Will You Love Me Tomorrow". Collaborating with former husband Gerry Goffin, the team went on to write more than two dozen chart-toppers, including "One Fine Day", "The Loco-Motion", "Will You Love Me Tomorrow", and "(You Me Me Feel Like A) Natural Woman." Her 1971 solo-album, Tapesty, won 4 Grammys, and earned her the record for longest time an album by a female artist has remained on the Billboard Charts (6 years), as well as the longest time holding the #1 position (15 consecutive weeks).

King, in addition to writing more than 100 top-selling songs has recorded 25 solo albums. In 2007 she and longtime collaborator James Taylor reunited and recorded Live at the Troubadour. Released in 2010 the album debuted at number 4 on the Billboard Hot 100 and The Troubadour Reunion Tour became the second highest grossing Tour of that year. She has won numerous lifetime achievement honors and has been inducted into the Songwriters Hall of Fame, "Hit Parade" Hall of Fame, and Rock and Roll Hall of Fame.

Carole King continues to entertain audiences the world over. She released her most recent album in December, 2011, Carole King: A Holiday Carole, to rave reviews.