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I'm hoping my novel will work to illuminate not just the facts of Ernest and Hadley's years in Paris, but the essence of that time and of their profound connection by weaving both the fully imagined and undeniably real.
When I began to research my book, beginning with biographies of Hemingway and Hadley, and with their delicious correspondence, I knew the actual story of the Hemingway's marriage was near perfect; it was a ready-made novel, ripe for the picking. I didn't have to invent a plot for them, nor did I want to. My work would be to use the framework of historical documentation to push into these characters' hearts and minds, discovering their motivations, their deepest wishes.
The most important step for me was getting Hadley's voice. She has very little dialogue in A Moveable Feast, but what's there is so evocative. It led me to seek out the letters she wrote to Ernest during their courtship, and that's when I knew I could write the book. Her speech rhythms, her intelligence and charm and sense of humor all come through with clarity and effervescence. I simply fell in love with her, with them both.