September 8, 2017

Looking Back - Leaving the Land

Looking Back... In an effort to transfer my book journal entries over to this blog, I'm going to attempt to post (in chronological order) an entry every Friday. I may or may not add extra commentary to what I jotted down in these journals.

Leaving the Land by Douglas Unger
1995 University of Nebraska Press
Finished in March 1997
Rating: 1/5 (Poor)

Publisher's Blurb:

The reputation of Leaving the Land has grown steadily since its first publication in 1984. It was a finalist for the Pulitzer Prize and the Robert F. Kennedy Award and was an ALA Notable book in 1984.

Not much of a description, and I no longer own the book, so here is some praise from the author's website:

Douglas Unger writes with great power and compassion about a unique, virtually undiscovered landscape in American literature. Leaving the Land is an authentic and deeply moving drama of people trying to hold on and go on. It’s a remarkable novel and one that will leave an indelible impression. —Raymond Carver 

This is the story of a remarkable survivor, the daughter of a turkey farmer, whose shattering, romantic entanglements are always doomed by her larger obsession: to hold on to the unlovable land which sapped her parents’ blood. Leaving the Land is, as well, the story of the disintegration of a town and its unforgettable inhabitants, and of the son who is the unwilling inheritor of his family’s lost dream. All of this is distilled with enormous grace and passion, humor and economy, and marks the most impressive debut of a young novelist. —John Irving

Douglas Unger understands why the pure products of America go crazy, or to prayer, and details the heartbroke comedy of their journey in South Dakota. Sherwood Anderson, Faulkner, Wright Morris…Leaving the Land continues their tradition, and leaks rough authenticity and humor from every wound. —William Kittredge 

Leaving the Land resembles the best work of Zola, Norris and Dreiser. Like it, this novel rises out of the knowledge of a vast process which is measured and made significant by the characters forming and formed by it. Almost everything they do has in Unger’s book apocalyptic force. —Richard Stern

Eloquent… At its best, this fine first novel courts comparison with Willa Cather’s classic and epic account of homesteading on the Western prairies, O Pioneers!. In language as luminous and rhythmic as the opening of The Rainbow by D.H. Lawrence. —The New York Times Book Review 

An affecting family story… A lot of true grit sifts through his pages… Unger obviously writes about what he knows: the coarse prairie soil called gumbo, the papery texture of clapboard in the last stages of dry rot, the astonishing stupidity of turkeys… Unger also understands what writers like Eudora Welty have learned, that the trick is to write what you don’t know about what you know. He intuits a generous range of emotions and draws stark credibility from the toppled rage of defeated men and lonely women. —Time

Accomplished… unsentimental… very moving… Unger's portrait of Marge… is sharp, affectionate and darkly funny… A fine work of personal and national history about a critical part of our national character thatĪ€s become an artifact. —Newsday

My Original Notes (1997):

I didn't like this book at all. The author doesn't seem as polished as Willa Cather, Theresa Jordan, or even, Hope Williams Sykes. Depressing themes throughout the book without any redeeming qualities. I didn't connect with any of the characters. Didn't really want to finish the book, but I did. A couple of funny parts, but very few.

My Current Thoughts:

I read this for my Great Plains Lit. class and would have quit early on if it weren't an assigned reading. After 20 years, I have zero recollection of the novel.

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