The Outsider

The Outsider by Stephen King

Holly Gibney #1

Fiction/Horror

2018 Simon & Schuster Audio

Narrated by Will Patton

Finished on January 24, 2022

Rating: 4/5 (Very Good)

Publisher's Blurb:

An unspeakable crime. A confounding investigation. At a time when the King brand has never been stronger, he has delivered one of his most unsettling and compulsively readable stories.

An eleven-year-old boy’s violated corpse is found in a town park. Eyewitnesses and fingerprints point unmistakably to one of Flint City’s most popular citizens. He is Terry Maitland, Little League coach, English teacher, husband, and father of two girls. Detective Ralph Anderson, whose son Maitland once coached, orders a quick and very public arrest. Maitland has an alibi, but Anderson and the district attorney soon add DNA evidence to go with the fingerprints and witnesses. Their case seems ironclad.

 As the investigation expands and horrifying answers begin to emerge, King’s propulsive story kicks into high gear, generating strong tension and almost unbearable suspense. Terry Maitland seems like a nice guy, but is he wearing another face? When the answer comes, it will shock you as only Stephen King can.

I started listening to the audiobook of The Outsider last October for one of my RIP XVI reading challenge selections. I had been listening to another Stephen King collection of short stories (If It Bleeds) when I came upon Holly Gibney, a character who is in both books, and thought I should read them in the proper order. I paused If It Bleeds and began The Outsider, only to pause that as well in order to focus on my selections for Nonfiction November. In spite of taking a long break from the book, I was able to pick up where I left off without any trouble. King is such a talented storyteller and each of his characters are so well depicted that it's practically impossible to forget them, especially the ones you really do want to forget!

The Outsider is classic King and while I'm glad I listened while on my daily walks (in the daylight and around other people), the audiobook contributed to the unsettling spookiness of the story. Will Patton gives an outstanding performance and each characters' voice is distinguishable from the others, particularly Holly Gibney's. (She is such a great character!) 

In typical King fashion, this is not for the faint of heart. It's creepy, filled with disgusting detail and a strong paranormal vibe. Once I finish listening to If It Bleeds, I'll move on to the Mr. Mercedes trilogy, which I now understand I should have read first. Oops.

Looking Back - Bag of Bones

Looking Back... In an effort to transfer my book journal entries over to this blog, I'm going to attempt to post (in chronological order) an entry every Friday. I may or may not add extra commentary to what I jotted down in these journals.

Bag of Bones by Stephen King

Fiction

1998 Scribner Book Company

Read in December 2000

Rating: 4.5/5 (Very Good)

Publisher's Blurb:

Stephen King's most gripping and unforgettable novel, Bag of Bones, is a story of grief and a lost love's enduring bonds, of a new love haunted by the secrets of the past, of an innocent child caught in a terrible crossfire.

Set in the Maine territory King has made mythic, Bag of Bones recounts the plight of 40-year-old bestselling novelist Mike Noonan, who is unable to stop grieving even four years after the sudden death of his wife, Jo, and who can no longer bear to face the blank screen of his word processor.

Now his nights are plagued by vivid nightmares of the house by the lake. Despite these dreams, or perhaps because of them, Mike finally returns to Sara Laughs, the Noonans' isolated summer home.

He finds his beloved Yankee town familiar on its surface, but much changed underneath -- held in the grip of a powerful millionaire, Max Devore, who twists the very fabric of the community to his purpose: to take his three-year-old granddaughter away from her widowed young mother. As Mike is drawn into their struggle, as he falls in love with both of them, he is also drawn into the mystery of Sara Laughs, now the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here -- and what do they want of Mike Noonan?

As vivid and enthralling as King's most enduring works, Bag of Bones resonates with what Amy Tan calls 'the witty and obsessive voice of King's powerful imagination.' It's no secret that King is our most mesmerizing storyteller. In Bag of Bones -- described by Gloria Naylor as 'a love story about the dark places within us all' -- he proves to be one of our most moving.

My Original Thoughts (2000):

Fantastic! King has such a talent for sucking you in from the very first page. I couldn't put it down, but had to several times (at night), so I wouldn't have nightmares. Creepy story, but oh, so good!

My Current Thoughts:

This is one of my favorite books by Stephen King. After 21 years, I still have a vivid memory of a scene involving magnetic alphabet letters on a refrigerator. Eeek! Creepy. Still, I would love to read it again someday.

Mailbox Monday

Only one new book this week and I'm not sure if I should read it now or wait for Carl's R.I.P. Challenge later this year. It certainly sounds creepy!

Neil Gaiman meets Joe Hill in this astonishingly original, terrifying, and darkly funny contemporary fantasy. ~ Amazon 

From the publisher:

A library with the secrets to the universe, a woman with the power to claim it—and a struggle that may cost her everything.

Carolyn's not so different from the other people around her. She's sure of it. She likes guacamole and cigarettes and steak. She knows how to use a phone. She even remembers what clothes are for. 

After all, she was a normal American herself once.

But she and the others aren't really normal. Not anymore. Not since their parents were murdered. Not since Father took them in.

Father was not like them. He could call light from darkness. Once he crumbled a mountain with just a glance. Sometimes he raised the dead. And when he was disobeyed, the consequences were terrible.

Now, Father is missing—maybe even dead—and the Library that holds his secrets stands unguarded.

The battle for this prize will be fierce, but Carolyn can win. She's sure of it. What she doesn't know is that victory may come at an unacceptable price--because she's already sacrificed far more about being human than she realizes.

Scott Hawkins lives in Atlanta with his wife and large pack of foster dogs. The Library at Mount Char is his first novel. 

Publication date: June 2015

What arrived in your mailbox this past week?

The Twelve

The Twelve by Justin Cronin (Book Two of The Passage Trilogy)
Fiction (Horror; Post-Apocalyptic)
2012 Random House Audio
Length: 26 hours, 23 minutes
Reader: Scott Brick
Finished on 4/8/13
Rating: 3.5/5 (Good)



Publisher’s Blurb:

In The Passage, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic tale continues with The Twelve.

In the present day: As a man-made apocalypse unfolds, three strangers navigate the chaos, desperate to find others, to survive, to witness the dawn on the other side of disaster. Lila, a doctor and an expectant mother; Kittridge, known to the world as “Last Stand in Denver”; and April, a teenager fighting to guide her little brother safely through a minefield of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.

A hundred years in the future: Amy, Peter, Alicia, and the others introduced in The Passage work with a cast of new characters to hunt the original twelve virals… unaware that the rules of the game have changed, and that one of them will have to sacrifice everything to bring the Twelve down.

I listened to Justin Cronin’s amazing novel, The Passage, last fall and loved it, giving it a near-perfect rating of 4.75/5. When it came time to read The Twelve (Book Two in the trilogy), I debated as to whether I should listen to the audio or read the ARC. I opted once again for the audio, as I had so enjoyed Scott Brick’s narration of The Passage and assumed that listening to him read this follow-up would be just as enjoyable. And, of course, my Nano is much more convenient than lugging such a chunkster around with me, not to mention the fact that I can listen to close to 2 hours every day while working on various projects at work before the store opens.

I should’ve chosen the ARC.

Listening to the audio version of such a weighty epic is quite the challenge. Cronin’s narrative is far from linear and, from beginning to end, new characters are introduced, old favorites discarded, storylines intertwine, and time and location shift relentlessly. With a printed edition, the reader is able to discern these shifts with visual cues on the page, whereas the audio only allows for a brief pause in narration. I found myself listening to many chapters more than once and whined to my husband (who was reading the ARC at the same time as I was listening to the book) about the need for a timeline, list of characters and a map to keep track of the comings and goings of the huge cast of characters. Ha! Lo and behold, at the back of the book there is a “Dramatis Personae,” to which I referred on several occasions. I was even tempted to tear it from the book and carry it with me as I listened, but decided to keep the ARC intact. With that said, I will definitely keep it handy when it comes time to read the final installment in this trilogy. I may even read a few chapters to refresh my memory before diving into The City of Mirrors, which is due to hit the shelves sometime in 2014. Or, better yet, I’ll peruse Cronin’s website and check out the forum posts and discussions.

Final Thoughts: 

Not as solid as The Passage, but entertaining nonetheless. It took me close to a month to listen to the 26+ hours of narration and by the time I finished, I wasn’t sure what to think of the epilogue (my husband was no help either, as he was just as confused as I was!), but I was happy to have completed the book and look forward to the final installment… which, by the way, I plan to read rather than listen to. I’ve learned my lesson!

The Little Stranger

The Little Stranger by Sarah Waters
Fiction
2009 Penguin Group Audio
Reader: Simon Vance
Length: 14 CDs, 18 hours
Finished: 11/2/12
Rating: 3/5 (So-so)
R.I.P. VII Challenge




From the author's website:

In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners – mother, son and daughter – are struggling to keep pace with a changing society, as well as with conflicts of their own.

But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr Faraday know how closely, and how terrifyingly, their story is about to become entwined with his.

Prepare yourself. From this wonderful writer who continues to astonish us, now comes a chilling ghost story.


I chose The Little Stranger as my second selection for this year’s RIP VII Challenge (hosted by Carl). I’ve read one other book by Waters (The Night Watch) and was anxious to give her latest novel a read. After hearing such good things about Simon Vance, I decided to go with the audio book rather than the paperback. Vance lived up to all the praise I’d been hearing and is now one of my favorite readers (next to Jim Dale).* His performance was outstanding! Unfortunately, I didn’t feel the same about the novel. I was expecting a much scarier tale, something more in tune with Stephen King or Dean Koontz. The Little Stranger is a psychological thriller, and one that kept me guessing clear to the very end. And yet, in spite of listening to the entire book, I found it somewhat anticlimactic. Hundreds Hall is a creepy house with strange, unexplainable occurrences affecting the lives (literally) of those who come in contact with it, but it wasn’t nearly as disturbing as the house in Anne Rivers Siddon’s novel, The House Next Door or Stephen King’s The Shining. I’m not sorry I read it, but I did have my hopes set higher for a stellar read.

Final Thoughts: I enjoyed the audio book well enough to finish, but it’s not one I feel compelled to rush out and buy in print. The Little Stranger should appeal to fans of The Thirteenth Tale (Setterfield) and Don’t Look Now (du Maurier).

*While searching for more books narrated by Simon Vance, I discovered that I’ve already listened to him. Twice! I’d completely forgotten that he was the reader for the Steig Larsson trilogy. I’m looking forward to listening to more and am open to recommendations. I see he narrates A Tale of Two Cities, which was one of my favorite books when I was in high school. I may just have to give that a re-read!

The Passage

The Passage by Justin Cronin
Fiction
2010 Random House Audio
Length: 36 hours and 52 minutes
Readers: Scott Brick, Adenrele Ojo, Abby Craden
Finished: 10/14/12
Rating: 4.75/5 (Terrific!)
R.I.P. VII Challenge






"Imagine Michael Crichton crossbreeding Stephen King's The Stand and Salem's Lot in that lab at Jurassic Park, with rich infusions of Robert McCammon's Swan Song, Battlestar Galactica and even Cormac McCarthy's The Road." The Washington Post

Publisher’s Description: 

“It happened fast. Thirty-two minutes for one world to die, another to be born.”

First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear — of darkness, of death, of a fate far worse.

As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he’s done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey — spanning miles and decades — toward the time and place where she must finish what should never have begun.

With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

I’ve had a copy of The Passage ever since it was first released back in 2010, but it wasn’t until I decided to participate in Carl’s R.I.P. VII Challenge that I finally took it down from the shelf. Actually, I downloaded the audio version (all 36 hours and 52 minutes!) from my library, but occasionally flipped through the book for clarification of a specific passage. I was reading another large book (The Thorn Birds) at the time, so the audio turned out to be the perfect way to manage this tome. And, I think The Washington Post nailed it when describing the book as a mash-up of The Stand, Swan Song, Battlestar Galactica and The Road. With the exception of BG, I found myself comparing the story to these outstanding post-apocalyptic tales, all of which I loved, by the way.

In spite of the audio format, I still took over a month to complete this read, partly due to the fact that it’s just so very long, but also because I found myself repeating tracks for clarification or to remind myself of a certain group of characters. As with The Stand, there is a large cast of characters, as well as a shift in locations and plot threads. Scott Brick does an excellent job with the narration, performing each chapter with perfect pacing, and the sense of urgency and raw emotion the book demands. I was quickly drawn into the story and in spite of the length, found myself wishing it were longer. Thankfully, it turns out to be the first in a trilogy, so I can look forward to enjoying more of this saga.

Final Thoughts: What begins as a terrifying story filled with vampire-like creatures (one which might have caused a nightmare or two), turns out to be an exceptionally imaginative (and highly addictive) post-apocalyptic tale of both love and survival. I have the ARC of The Twelve in my stacks, as well as the audio version on my Nano, but it will be a few months before I return to Amy Harper Bellafonte’s story. The holiday season is upon us and my concentration level requires something a bit more uplifting and light-hearted.


Every so often a novel-reader's novel comes along; an enthralling, entertaining story wedded to simple, supple prose, both informed by tremendous imagination. Summer is the perfect time for such books, and this year readers can enjoy the gift of Justin Cronin's The Passage. Read fifteen pages and you'll find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: Read this book and the ordinary world disappears. ~ Stephen King

Horns

Horns by Joe Hill
Fiction - Horror/Fantasy
2010 William Morrow
Finished on 5/19/10
Rating: 4/5 (Very Good)
FTC Disclosure: Received ARC from publisher





Product Description

Joe Hill has been hailed as "a major player in 21st-century fantastic fiction" (Washington Post); "a new master in the field of suspense" (James Rollins); "one of the most confident and assured new voices in horror and dark fantasy to emerge in recent years (Publishers Weekly); a writer who "builds character invitingly and plants an otherworldly surprise around every corner" (New York Times).

This gifted and brilliantly imaginative author catapulted to bestsellerdom with the chilling Heart-Shaped Box and cemented his reputation with the prizewinning volume of short fiction 20th Century Ghosts. At last, the New York Times bestselling author returns with a relentless supernatural thriller that runs like Hell on wheels. . . .

Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with a thunderous hangover, a raging headache . . . and a pair of horns growing from his temples.

At first Ig thought the horns were a hallucination, the product of a mind damaged by rage and grief. He had spent the last year in a lonely, private purgatory, following the death of his beloved, Merrin Williams, who was raped and murdered under inexplicable circumstances. A mental breakdown would have been the most natural thing in the world. But there was nothing natural about the horns, which were all too real.

Once the righteous Ig had enjoyed the life of the blessed: born into privilege, the second son of a renowned musician and younger brother of a rising late-night TV star, he had security, wealth, and a place in his community. Ig had it all, and more—he had Merrin and a love founded on shared daydreams, mutual daring, and unlikely midsummer magic.

But Merrin's death damned all that. The only suspect in the crime, Ig was never charged or tried. And he was never cleared. In the court of public opinion in Gideon, New Hampshire, Ig is and always will be guilty because his rich and connected parents pulled strings to make the investigation go away. Nothing Ig can do, nothing he can say, matters. Everyone, it seems, including God, has abandoned him. Everyone, that is, but the devil inside. . . .

Now Ig is possessed of a terrible new power to go with his terrible new look—a macabre talent he intends to use to find the monster who killed Merrin and destroyed his life. Being good and praying for the best got him nowhere. It's time for a little revenge. . . . It's time the devil had his due. . . .

While not as terrifying as the opening scenes in Heart-Shaped Box, this supernatural thriller is laced with black humor and proves once again that Joe Hill is a masterful storyteller of suspense and horror. I was immediately drawn into the tight narrative and found myself rooting for Ig. I think I even dreamed about the power of his horns!

Maybe, he thought, it would be different with his family. Maybe they would be immune to him, and their secrets would stay secrets. They loved him, and he loved them. Love had to count for something. Maybe he could learn to control it, to turn it off, whatever "it" was. Maybe the horns would go away. They had come without warning, why shouldn't they go the same way?

He pushed a hand back through his limp and thinning hair—thinning at twenty-six!—then squeezed his head between his palms. He hated the frantic scurry of his thoughts, how desperately one idea chased after another. His fingertips brushed the horns, and he cried out in fright. It was on his lips to say, God, please God, make them go away...but then he caught himself and said nothing.

A crawly sensation worked its way up his forearms. If he was a devil now, could he still speak of God? Would lightning strike him, shatter him in a white flash? Would he burn?

Hill's dialogue and use of flashbacks paints a believable tableau that illustrates the ongoing tension between good and evil -- and points out that sometimes it's difficult to tell which is which -- and I was thoroughly enraged with the villain. His evil acts made Ig look like an angel, not a devil. Although a bit ambiguous, the ending was was completely satisfying. Hill is one imaginative dude! I can't wait to see what he comes up with next!

Check out Joe's website and interview for Horns here.

20th Century Ghosts

20th Century Ghosts by Joe Hill
Fiction - Horror (short stories)
2007 William Morrow
Finished 11/29/09
Rating: 4/5 (Very Good)





Product Description

Imogene is young, beautiful, kisses like a movie star, and knows everything about every film ever made. She’s also dead, the legendary ghost of the Rosebud theater, and one afternoon in 1945, a boy named Alec Sheldon will have an unforgettable encounter with her... in the dark...

Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It’s hard to make friends when you’re the only inflatable boy in town...

Francis is unhappy. Francis is picked on. Francis doesn’t have a life, a hope, a chance. Francis was human once, but that’s behind him now. Francis is an eight-foot tall locust, and all of Calliphora, Nevada will shudder to hear him sing...

John Finney is in trouble. The kidnapper locked him in a basement, a place stained with the blood of half a dozen other murdered children. With him, in his subterranean cell, is an antique phone, long since disconnected... but it rings at night, anyway, with calls from the dead...

Eric is a twentysomething burnout, who just lost a girlfriend and a job. Once, though, he was the Red Bolt, and with his home-made cape he could fly. Now the cape is back in his hands, and Eric’s future is looking up... and up...

Nolan Lerner is guilty. His past is a thing choked with secrets, blood – and sunflowers. Only Nolan can tell the story of what really happened one summer in 1977, when his younger brother, an idiot savant named Morris, built a vast cardboard fort, with secret doors inside, doors leading into other worlds...

Like Morris Lerner’s impossible cardboard fortress, 20TH CENTURY GHOSTS is big enough to get lost in, a maze filled with exits into a vast country of the surreal. Showcasing an assortment of dazzling ideas, GHOSTS is irresistible, addictive fun.

I haven't read many short story collections (Alice Munro and Eudora Welty are the only two authors who come to mind), but I've always said I don't care for short stories. Those that I've read all seem to blend together and are quickly forgotten. I also dislike the feeling of finally getting to know the characters and their situations, only to have the story end abruptly. But Joe Hill has converted me, at least as far as his short fiction is concerned. I loved everything about 20th Century Ghosts! I savored each and every story over the course of 6 weeks (perhaps that's the key!) and found myself thinking about the characters and plots long after closing the book. I especially liked that the stories weren't all super scary and that some were a bit reminiscent of The Twilight Zone, without freaking me out so much that I had to sleep with a light on.

Until I became a blogger, I never used to read book reviews. I still don't read published reviews in newspapers or magazines, but obviously as a blogger, I do read reviews by my peers. "A masterful storyteller" has become the ubiquitous descriptor for authors of broad abilities. I am guilty of littering my reviews with this cliche myself. And yet, Joe Hill truly is a master of his craft. Much like a camp counselor sitting around a campfire with a bunch of scared little kids, he sets the scene, establishes the characters and ever so slowly and gently leads his audience down a path full of twists and turns and dark shadows, never losing them along the way, and often times pushing them faster and faster toward their ultimate destination and climax. No detail is wasted. No line of dialogue unnecessary. Each sentence a polished gem.

I think the basis for my enjoyment of this collection was that each story was so utterly unique. There were some that were creepy and surreal and others that were very subtle--even tender and sweet. I can glance through the table of contents and remember each and every story. I can remember which ones made my heart race and which made me shudder. This is one of those books I'll enjoy picking up again in years to come, if only to re-read one or two stories at a time. And now that I've come to realize that this is a genre I do enjoy, I'll have to give Hill's father's short story collections a chance. I hear he's also pretty talented. ;) Any recommendations?

Further praise from a fellow blogger:

Bookfool writes: 20th Century Ghosts is an anthology of short stories and they are wildly disparate--some literary, some magical, two with ghosts, at least one so scary I had to set the book down for a few days. While there were a few that left me with the feeling, "What was the point of that?", the vast majority were engrossing and it was the moments of truth, the powerfully straightforward language, the absolute believability of his characters and the stunning creativity that set Hill's writing apart. There is seldom a feeling of stepping outside the pages--that "Oops, he lost me," moment when the reader realizes s/he has lost the ability to suspend disbelief. In fact, I kept having to remind myself, "It's not real; it's just fiction." That is a pretty strong recommendation, in and of itself.

I can hardly wait to get my paws on Joe Hill's up-and-coming new release, Horns, due out on February 16th. From what I've read, it's even better than his debut novel, Heart-Shaped Box. Oh, boy!

The Birthing House

The Birthing House by Christopher Ransom
Fiction - Horror
2009 St. Martin's Press
Finished on 10/16/09
Rating: 1/5 (Poor)





"I got news for you, kid," Leon Laski had said. "A haunting is just history roused from her sleep. Any house can be haunted, even a new one. Know why? Because what makes 'em haunted ain't just in the walls and the floors and the dark rooms at night. It's in us. All the pity and rage and sadness and hot blood we carry around. The house might be where it lives, but the human heart is the key. We run the risk of letting the fair maiden out for one more dance every time we hang our hat."

Product Description

It was expecting them.

Conrad and Joanna Harrison, a young couple from Los Angeles, attempt to save their marriage by leaving the pressures of the city to start anew in a quiet, rural setting. They buy a Victorian mansion that once served as a haven for unwed mothers, called a birthing house. One day when Joanna is away, the previous owner visits Conrad to bequeath a vital piece of the house’s historic heritage, a photo album that he claims “belongs to the house.” Thumbing through the old, sepia-colored photographs of midwives and fearful, unhappily pregnant girls in their starched, nineteenth-century dresses, Conrad is suddenly chilled to the bone: staring back at him with a countenance of hatred and rage is the image of his own wife….

Thus begins a story of possession, sexual obsession, and, ultimately, murder, as a centuries-old crime is reenacted in the present, turning Conrad and Joanna’s American dream into a relentless nightmare.

An extraordinary marriage of supernatural thrills and exquisite psychological suspense, The Birthing House marks the debut of a writer whose first novel is a terrifying tour de force.


Ugh. The only thing going for this book is that it's a very quick read. The Birthing House was my book club's selection for October and we were all terribly disappointed in this poorly written debut novel. Where to begin?

~ Clunky dialogue, which forced many of us to re-read several lines, hoping to discern the author's intent.

~ Gratuitous, explicit and bizarre sex scenes.

~ Clichés -- Creepy faceless dolls that walk in the middle of the night; the mysterious sound of a crying baby; snakes; dark mysterious woman lurking outside windows and in the garden.

~ Countless loose ends and meandering plot lines.

~ Weak characters. Poor editing.

This novel reads like a screenplay and might very well be a decent movie. I think I was the only one in my book club that got creeped out by some of the scenes, but then I'm very easily scared. Especially if I'm home alone and reading late at night.

Final words - Overwrought. Unoriginal. Weak. Don't waste your money. If you're curious and want to give it a try, borrow it from your library. If you want serious horror, read Stephen King or Joe Hill.

Odd Hours

Odd Hours by Dean Koontz
Fiction/Horror
2008 Bantam Books
Quit on 7/8/08
Rating: DNF



Product Description

Only a handful of fictional characters are recognized by first name alone. Dean Koontz’s Odd Thomas is one of those rare literary heroes who have come alive in readers’ imaginations as he explores the greatest mysteries of this world and the next with his inimitable wit, heart, and quiet gallantry. Now Koontz follows Odd as he is irresistibly drawn onward to a destiny he cannot imagine and to undreamed of places where the perils he will face and the stakes for which he fights will eclipse all that he has known.

The legend began in the obscure little town of Pico Mundo. A fry cook named Odd was rumored to have the extraordinary ability to communicate with the dead. Through tragedy and triumph, exhilaration and heartbreak, word of Odd Thomas’s gifts filtered far beyond Pico Mundo, attracting unforgettable new friends—and enemies of implacable evil. With great gifts comes the responsibility to meet great challenges. But no mere human being was ever meant to face the darkness that now stalks the world—not even one as oddly special as Odd Thomas.

After grappling with the very essence of reality itself, after finding the veil that separates him from his soul mate, Stormy Llewellyn, tantalizingly thin yet impenetrable, Odd longed only to return to a life of quiet anonymity with his two otherworldly sidekicks—his dog Boo and a new companion, one of the few who might rival his old pal Elvis. But a true hero, however humble, must persevere. Haunted by dreams of an all-encompassing red tide, Odd is pulled inexorably to the sea, to a small California coastal town where nothing is as it seems. Now the forces arrayed against him have both official sanction and an infinitely more sinister authority…and in this dark night of the soul dawn will come only after the most shattering revelations of all.

Burnishing Dean Koontz’s stature as a master of suspense and one of our most innovative and gifted storytellers, Odd Hours illuminates a legacy of mystery and hope that will shine on long after the final page.

I quit! After 125 pages, I just couldn't get interested or come to care about Odd's latest dilemma. I loved Odd Thomas (read it twice), but was disappointed with both Forever Odd and Brother Odd. I really wanted to fall in love with this latest installment, but it kept putting me to sleep! I did, however, discover a couple of passages that were worth noting.

I love the dry wit in this one:

As I confronted the rat, I saw in my mind's eye a scenario in which I startled the rodent, whereupon it raced toward me in a panic, slipped under a leg of my jeans, squirmed up my calf, squeaked behind my knee, wriggled along my thigh, and decided to establish a nest between my buttocks. Through all of this, I would be windmilling my arms and hopping on one foot until I hopped off the beam and, with the hapless rodent snugged between my cheeks, plunged toward the sea just in time to crash into the searchers' boat, smashing a hole in the bottom with my face, thereupon breaking my neck and drowning.

You might think that I have earned the name Odd Thomas, but it has been mine since birth.

and

Fragrant with the cinnamony aroma of chocolate-pumpkin cookies that I had baked earlier in the afternoon, brightened only by the golden glow of string lights hidden in the recessed toe kick of the cabinets, the kitchen waited warm and welcoming.

I am no theologian. I would not be surprised, however, if Heaven proved to be a cozy kitchen, where delicious treats appeared in the oven and in the refrigerator whenever you wanted them, and where the cupboards were full of good books.

Maybe I'll have better luck with Koontz's fall release of Your Heart Belongs to Me. Or not. I just never know how I'm going to react to a book by Koontz.

I Am Legend

I Am Legend by Richard Matheson
Sci-Fi/Horror
Finished on 1/13/08
Rating: 2/5 (Below Average)
The Sci-Fi Experience 2008 #1





Book Description:

Robert Neville is the last living man on Earth...but he is not alone. Every other man, woman, and child on Earth has become a vampire, and they are all hungry for Neville's blood.

By day, he is the hunter, stalking the sleeping undead through the abandoned ruins of civilization. By night, he barricades himself in his home and prays for the dawn.

How long can one man survive in a world of vampires?

After recently watching I Am Legend, starring Will Smith, I decided to read the novel for Carl's Sci-Fi Experience. I'm not sure what I was thinking. This isn't really science fiction. At least I wouldn't think so. It seems to fall more into the category of horror. Yes, it's a post-apocalyptic novel, yet the emphasis is more on the vampires than the disaster. However, since it was written in 1954 and set in 1976, I suppose it can be viewed as a work of science fiction.

This is one of those rare instances in which the movie is better than the book. I did not care for the novel at all. It felt dated, particularly the dialogue (yes, in addition to his internal thoughts, Neville -- in spite of having no one to speak to -- speaks out loud). It reminded me a bit of Earth Abides, with the continuous internal ruminations.

In addition to the title story, there are ten short stories included in the edition I read: "Buried Talents," "The Near Departed," "Prey," "Witch War," "Dance of the Dead," "Dress of White Silk," "Mad House," "The Funeral," "From Shadowed Places," and "Person to Person." Go here for a brief synopsis of each story (listed in the right-hand sidebar of the site).

I didn't particularly care for any of these stories (I've never been a big fan of short stories), although I suspect several will stick in my memory for a long, long time. A few are quite creepy (in an Outer Limits/Twilight Zone manner) and some have a darkly humorous feel.

I sure wish I felt the same as these folks:

One of the most important writers of the twentieth century - Ray Bradbury

The most clever and riveting vampire novel since Dracula - Dean Koontz

I think the author who influenced me the most as a writer was Richard Matheson. Books like I Am Legend were an inspiration to me. - Stephen King

About the Author (from Amazon.com):

In addition to novels in the mystery, science fiction, horror, fantasy, and western genres, Matheson has been a prolific writer of film and television scripts. He wrote the script for some of the most memorable episodes of The Twilight Zone, including "Nightmare at 20,000 Feet" (you remember -- William Shatner sees a gremlin on the wing of the plane...), "The Invaders," and "Little Girl Lost." He also wrote episodes of Have Gun, Will Travel, Night Gallery, and Star Trek (among them "The Enemy Within," in which Kirk is split into good and evil halves).

Several of Matheson's novels and stories have been made into films, including The Shrinking Man (filmed as "The Incredible Shrinking Man" in 1957), I Am Legend (filmed twice, once as "The Last Man on Earth" starring Vincent Price in 1964, and again as "The Omega Man" starring Charlton Heston in 1971), and Bid Time Return (filmed as "Somewhere in Time" starring Christopher Reeve and Jane Seymour in 1980). Matheson also wrote the scripts for Stephen Spielberg's first feature film, Duel; the TV-movie The Night Stalker, which drew a record 75 million viewers on its first broadcast; and several of Roger Corman's Edgar Allan Poe films, including House of Usher (1960), The Pit and the Pendulum (1961), and The Raven (1963).

Over a career spanning five decades, Matheson has won numerable prestigious awards, including the World Fantasy Convention's Life Achievement Award, the Bram Stoker Award for Life Achievement, the Hugo Award, the Edgar Allan Poe Award, the Golden Spur Award, and the Writer's Guild Award. Born in New Jersey in 1926, Matheson has lived and worked in California since 1951.

I eagerly await the dvd release of this film. I loved watching it on the big screen, but it will be great fun to watch the bonus material. This goes high on my list of favorite movies. Don't miss it! The book, on the other hand, didn't impress me nearly as much.

Everything's Eventual

Everything's Eventual: 14 Dark Tales by Stephen King
Horror
Quit on 10/23/07
Rating: DNF
R.I.P. II Challenge (DNF)




I read a few of these short stories, but lost interest and decided to call it quits. Not much else to say. :)

Heart-Shaped Box

Heart-Shaped Box by Joe Hill
Fiction/Horror
Finished on 9/5/07
Rating: 4.5/5 (Terrific!)
R.I.P. II Challenge #2




Like father, like son!

Book Description

Judas Coyne is a collector of the macabre: a cookbook for cannibals . . . a used hangman's noose . . . a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest discovery, an item for sale on the Internet, a thing so terribly strange, Jude can't help but reach for his wallet.

I will "sell" my stepfather's ghost to the highest bidder. . . .

For a thousand dollars, Jude will become the proud owner of a dead man's suit, said to be haunted by a restless spirit. He isn't afraid. He has spent a lifetime coping with ghosts—of an abusive father, of the lovers he callously abandoned, of the bandmates he betrayed. What's one more?

But what UPS delivers to his door in a black heart-shaped box is no imaginary or metaphorical ghost, no benign conversation piece. It's the real thing.

And suddenly the suit's previous owner is everywhere: behind the bedroom door . . . seated in Jude's restored vintage Mustang . . . standing outside his window . . . staring out from his widescreen TV. Waiting—with a gleaming razor blade on a chain dangling from one bony hand. . . .

A multiple-award winner for his short fiction, author Joe Hill immediately vaults into the top echelon of dark fantasists with a blood-chilling roller-coaster ride of a novel, a masterwork brimming with relentless thrills and acid terror.

and from Bookmarks Magazine

Heart-Shaped Box raises the obvious question: Does the talent of Joe Hill (née Joseph Hillstrom King) match that of his father, Stephen King? Certainly, Hill has earned acclaim in his own right; his short-story collection 20th Century Ghosts won both the British Fantasy Award and a Bram Stoker. Critics agree that if blood, gore, and psychological terror keep you turning the pages, you'll enjoy the novel's murderous dreamscape and Hill's lean, witty, and hard-hitting style. In order to buy into the story, however, you'll first have to believe in the ghost's powerful existence—and not all critics did. Only the New York Times Book Review completely panned the novel's characterizations, overkill, and implausible plot. The verdict: Heart-Shaped Box is a strong walk in Hill's father's footsteps.

I started this book before our trip, but found it too creepy to read at night, so I set it aside for the flights to Oregon. Not only did this intense page-turner keep me engrossed during the four-hour layover in Dallas, but it kept me thoroughly entertained for the three-hour flight, the pace never faltering or falling short. As I read, I sensed a bit of familiarity in the creepy style, which I suppose is only natural since Hill probably heard the best-of-the-best ghost stories as a young boy thanks to his dad's incredibly twisted imagination. But I say this as a compliment; Hill's talent should not be overlooked. He may have learned from a master, but I have a feeling if he continues with this genre, he too may have 2-3 shelves of books devoted to his works. It's too bad Heart-Shaped Box is his debut novel, as I'd love to have a backlist of titles to look forward to. I do plan to track down a copy of his short-story collection (20th Century Ghosts) and maybe that will hold me over until he releases a second novel.

I loved Heart-Shaped Box and am fairly confident it'll be on my 2007 Top Ten list. The only reason it didn't get a perfect 5/5 was due to the lack of any lyrical passages; otherwise, it's fabulous. It definitely falls in the keep-a-nightlight-on spooky ghost story category; a perfect choice for Carl's R.I.P. II Challenge and one I'll be anxious to recommend to customers at work. But beware! If you don't like horror books (particularly those like The Shining and It), you might want to skip this one. Or, do what I did and read it during the day!

A couple of final notes -- Amazon has two guest reviewers for Hill's book. I especially enjoyed Scott Smith's (The Ruins) take on the book, but felt Harlan Coben's had too many spoilers (as did Publishers Weekly), so you might want to skip that one. Also, as I was re-reading my post for Stephen King's Dreamcatcher, I realized pretty much everything I'd written about his style and the book's suspense could've been used to describe his son's book Heart-Shaped Box. The apple sure doesn't fall far from the tree!

Brother Odd

Brother Odd by Dean Koontz
Fiction/Horror
Finished on 9/2/07
Rating: 2/5 (Below Average)
R.I.P. II Challenge #1





I see dead people, spirits of the departed who, each for his own reason, will not move on from this world. Some are drawn to me for justice, if they were murdered, or for comfort, or for companionship; others seek me out for motives that I cannot always understand.

This complicates my life.

Meh. I guess I'm not terribly disappointed since I didn't have high hopes for the book. As most of you already know, I loved Odd Thomas (read it twice and still think about reading it again), but was awfully disappointed with the sequel, Forever Odd. I've been holding off on reading Brother Odd for quite some time, but Carl's R.I.P. II Challenge inspired me to finally give it a chance. Well, it wasn't bad. Just not great. It lacked the hold-your-breath suspense that I've grown to enjoy in say, Stephen King's books, and the overdone metaphors became a bit tiresome:

Behind the white gravecloth of churning snow, the dead-gray face of the day awaited imminent burial.

Koontz is a talented and skillful writer. But when you encounter an over-the-top metaphor like this, one gets the feeling that he's simply showing off--using metaphors not because they add to the story, but simply because he can.

Another negative aspect of the book is that I never really connected with any of the supporting characters (far too many monks and nuns to keep track of), and as quantum physics isn't my thing, I found the premise of the story a bit far-fetched. (Then again, quantum physics is probably more plausible than seeing ghosts.) I simply couldn't wrap my brain around the skeletonized boogeyman or uberskeleton, as described by Koontz in this passage:

Beneath the veneer of a face lay the fullness of what I had only glimpsed in the eye sockets, in the yawning mouth: a phantasmagoria of bony forms linked by hinge joints, by pivot joints, by ellipsoidal joints, by ball-and-socket joints, and by joints for which no name existed, and which were not natural to this world. The apparition appeared to be a solid mass of bones combined so intimately that they must be fused, compacted so completely that they could have no room to rotate or flex. Yet they did rotate and flex and pivot and more, seemed to move not merely in three dimensions but in four, in an unceasing exhibition of dexterity that astonished and amazed.

One saving grace in all three of these novels is Odd Thomas' sardonic wit. Not only is he a likeable hero, he's very funny.

Had the visitor been a man, he would have knocked. If it had been only the wind, it would have huffed and strained against the door until the planks creaked. This scrape was the sound of bone on wood, or something like bone. I could imagine an animated skeleton clawing with mindless persistence at the other side of the door. In all my bizarre experiences, I have never actually encountered an animated skeleton. But in a world where McDonald's now sells salad with low-fat dressing, anything is possible.

And, Koontz certainly does have a way with words. This is a particularly nice passage:

Living in a monastery, even as a guest rather than as a monk, you have more opportunities than you might have elsewhere to see the world as it is, instead of through the shadow that you cast upon it.

But given a choice, I'll take a Stephen King or Joe Hill ghost any day; for some reason such ghosts seem more realistic than Koontz’s bizarre creature of flexing bones!